When people think about the interaction of environment and the arts, they may think of landscape paintings, or photographs of exotic birds. Recently, one artist completed a residency program at an environmental education center, which allowed her to go much further. Brad Linder files this report.

The Art of Paper
Artist Jane Ingram Allen's residency at the Schuylkill Center for Environmental Education gave her the opportunity to "make something out of nothing."
December 7, 2001

Jane Ingram Allen standing in front of a segment of her installation, "Site Maps." This map is of the Schuylkill Center for Environmental Education's trails, and consists of paper and dyes made from plants around the center grounds.
When Jane Ingram Allen came to the Schuylkill Center in Philadelphia , she had a history of working with environmental themes, but the artist-in-residence program gave her an opportunity to work with nature in new ways. Allen was the first resident artist at the center, which recently adopted the arts as a new method for reaching out to communities. Through the program, Allen worked on several installations at the center, including sculptures of birds and a project with area children, making an "earth-quilt," of hand-made paper. The quilt was intended to decompose, allowing seeds planted underneath to grow in a globe pattern.

A patch of the trail map, including a soil sample from the land where the plants that made this piece of paper grew.
Papermaking became an important part of Allen's residency. Collecting leaves from plants throughout the Schuylkill Center's 500 acres, she cooked it, hand-beat it into a pulp, and cast it as paper. Each plant species, she discovered, has different characteristics when made into paper, and none looks or feels like paper bought in stores. Besides being courser, and more colorful, most of the paper she formed will not last very long. Allen says many people think about art as permanent, but she prefers to think of it as constantly changing - and for her, that's part of what makes it art. Works that are displayed outdoors, for example, will be affected by weather conditions. She says she has also started thinking about the impact of her art on the surrounding ecology. Her paper is made of plant leaves, most of which were collected in October, after the plants had gone to seed, meaning removal of the leaves had a minimal impact. Her paper work at the Schuylkill Center is illustrated with non-toxic dyes from local plants and from food coloring. She says she's not ready to throw out her acrylic paints just yet, but she has thought about it.

Allen is moving on to Brazil next, where she has a grant to work on a bird project, but she expects to discover new plants for papermaking while she's there. Her latest work, Site Maps, remains on display at the Schuylkill Center. Using eighteen pieces of paper made from materials found throughout the Center grounds, Allen created a large trail map of the center. Each square holds a sample of soil gathered from the area where the plants live. Surrounding the trail map are maps on hand-made paper showing other locations around the globe. The exhibition is on display at the Schuylkill Center through March 1, 2002.


Additional soundbite 1
Allen says papermaking is an art form with rich possibilities for artists working in environmental contexts.

Additional story (listen now):
The Mid-Atlantic Arts Foundation's artist-as-catalyst program has made it possible for artists to work on community-based projects with a variety of non-profit groups in the region. Brad Linder files this additional report on Jane Ingram Allen's residency at the Schuylkill Center.

Jane Ingram Allen
Sculptor/Installation Artist

Mid Atlantic Arts Foundation
Mid-Atlantic Arts Foundation's Artist and Communities Page

THE SCHUYLKILL CENTER for Environmental Education
Exploring the natural world at the Schuylkill Center





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